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Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Look at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game is in British and Irish theaters from November 17.

By

Samantha Diaz

Digital archivist and curator with a passion for preserving online history and uncovering hidden gems from the early internet era.

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